Another swap quilt I’ve finished recently is my contribution to the UK Mini Swap. As you may have guessed, this swap was limited to participants in the UK. Despite having sent and received countless packages from overseas, I still get anxious and worry that my precious cargo will somehow get lost along the way! This swap was a great way for those who worry about missing parcels or high shipping costs to get in on the action. Organised by Nina of Bossy Oz, I was delighted to find out that my assigned partner liked improv. You won’t need a second guess to figure out which route I took when it came to making the mini.
I decided to refer to a previous quilt I’d made for inspiration and used a variation of my Drunken Tiles pattern, which made another appearance in this quilt I made last summer. This time I selected a neutral palette for the background, using both low volume prints and solids in cotton and cotton linen blends, with a little more of that beloved Joel Dewberry wood grain print. Rich oranges and teal pop from the center, and from the corners, of the blocks in fabrics that I sourced from my scraps. I used some more screen printed fabric from Karen Lewis, some Cotton and Steel, Oakshott cottons that add a real depth to the quilt and some coordinating Kona scraps that seem to be breeding in the attic! Despite my best attempts to use more of my scraps, the piles never seem to get smaller.
With the top coming together quickly, I was basting before I knew it. My partner had mentioned that they liked FMQ so, like the last mini quilt, I took the opportunity to practice my skills. I decided on 4 fern-like feathers, similar to the ones I used on my Oakshott Leaf Skeleton Quilt. I used the width of each column as a guide and really love the fluidity that the stitching adds to the piece. As much as I love matchstick and line quilting, I really enjoy experimenting with FMQ and letting the thread take me to unusual places.
This quilt has been received and is making its new owner smile!
I’m so excited to finally share this quilt with you today. It’s been complete for some time now and I’ve been itching to let it see the bright lights of the blogsphere. You may remember from this post that this quilt was originally named ‘A-quilt-that-reminds-me-of-the-beach-until-I-think-of-a-better-name’. Well, it’s now called ‘Drunken Tiles’, and can be found in the latest issue of Fat Quarterly Magazine which is published today!
I was honoured back in November when I was sent a bundle of Sphere by Zen Chic for Moda from Lynne at Lily’s Quilts, tasked with designing and making something for the upcoming precuts issue of Fat Quarterly. Those of you who follow me on Instagram might have seen some colourful scribblings and a few WIP shots as I worked on this quilt earlier in the year. I didn’t want to tempt fate and mention who it was for just in case it wasn’t good enough and I didn’t make the cut! When I found out I had I was over joyed. I’ve loved every minute of my quilting journey but never would have imagined, way back when I started, that a quilt I’d designed would be featured in so prominent a publication. Things like that just don’t happen to this guy!
This quilt make full use of the fat eighths I was sent. I was aiming for a quick and simple design that could be made up in a range of sizes and fabrics, appealing to beginners and more experience quilters alike. I used a stack and cut approach to make the blocks, pairing the prints with coordinating Kona solids, speedily delivered by The Village Haberdashery. I used a widescreen crosshatch print by Carolyn Friendlander for the backing, which I’ve since panic stashed, and finished the quilt off with a great bike path print by Alison Glass. The quilting reflects the fabric collection’s circular name and is a meandering stipple with loops.
I love the fresh, zesty colours of the Sphere collection and you can see why I was quick to associate it with sun, sand and all things summer. I feel warm just looking at it! The fabric dictated the location of the photo shoot, the first that’s taken place away from my house. I took advantage of a rare day of sun in Wales during March to snap the shots.
Be sure to check out the issue for all the other great quilts that are featured!